AMELIA AND LUDOVICA ARE FIGHTING AGAIN. IT’S ALWAYS THE SAME ARGUMENT: ACCORDING TO
AMELIA, A SERIOUS STORY IS NOT SOMETHING FOR HER PARTNER BECAUSE SHE IS INCAPABLE OF
TAKING CARE OF HER LOVER. THAT’S WHY LUDOVICA GOES AWAY. BUT THE HOUSE IS PERMEATED
WITH HER PRESENCE, EVEN IF SHE’S NOT THERE. AMELIA NOW HAS TO DEAL WITH HER
LONELINESS: SHE FINDS HERSELF DESIRING LUDOVICA SO BADLY THAT HER MIND MATERIALISES
PROJECTIONS OF HER LOVER. THEY DANCE, CUDDLE, KISS AND HAVE SEX TOGETHER. OF COURSE
EVERYTHING IS FAKE, AND DEEP DOWN SHE KNOWS IT, BUT IN THIS WAY SHE EVENTUALLY
UNDERSTANDS WHO REALLY IS LUDOVICA: SHE IS LIKE SNOW IN SPIRNG. IT’S IN THIS MOMENT
THAT THE DOOR RINGS. LUDOVICA, THE REAL ONE, HAS COME BACK. THEY EMBRACE IN TEARS.
AFTER ALL THE ONLY THING THAT MATTERS IS LOVE.
ITA – 13’42”
2020
Edoardo Sandulli
Edoardo Sandulli
Giulietta Rattegni, Marica Cardelli
Lers Film
Carmelo Emanuele Patti e Giulia Monti
Loto
Simone Biagini
Daniele De Virgilio
Giuseppe Lago
Laura Carugati
Elisa Cuccu
Daniel Pallucca